The Making of Yes features photographs by Cassandra MacLeod documenting a vast collaborative project by Urs Fischer contributed to by fifteen hundred individuals invited to come and work in clay in the weeks preceding the opening of Fischer's 2013 retrospective exhibition at MOCA in Los Angeles. Collaborators were asked to join him in making figures and animals out of clay--familiar forms to all, allowing for variation within a theme so that the possibilities for style, structure, scale, and finish are open to exploration while the overall refrain remains the same. Filling the expansive spaces of The Geffen Contemporary, the unfired clay forms disintegrate over time to create a landscape of fragmented figures, ruins, and fracture.
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